Some kindly soul has put up several old clips of Jeff Lint’s seminal but often misunderstood cartoon Catty and the Major on youtube.

My first exposure to Lint was around fifteen years ago when a work colleague loaned me a tattered, weather beaten copy of Lint’s début novel One Less Bastard, along with a “like new” copy of 1966’s Prepare To Learn.

And learn I did.

My friend refused to take them back, and that was fine by me.

Unfortunately, both books were lost in a fire some years ago.

I went along to see Eraserhead at the IFI on Thursday evening.  Good to see that there was a decent crowd there, maybe 100-120 people.  We were very close to the screen, only three rows back, and during some of the more claustrophobic scenes it began to feel like I was actually inside the film, which, if you’ve seen Eraserhead, isn’t an entirely good thing.

They were showing the remastered version, which looked great and sounded incredible.  The soundtrack was, at times, almost oppressive – full of mechanical clangs, gusting wind, the low guttural groans of subterranean industry and the hiss of high pressure steam lines.  Some years ago I worked occasionally in a sprawling industrial fertilizer plant and there were points during the movie where I felt like I was back there.  Constant noise like that can sometimes feel as though it has it’s own mass or pressure, pulsing against the sides of your head and swelling in your ears.

The whole experience left me feeling a little strange and off-kilter but nine pints of Guinness and a kebab soon brought me round.

Was up in Dublin on Saturday for a day of pints and films with my brother, Gerry. Went to the IFI to see an incredible 70MM print of Vertigo at 2.15. I’ll never understand why so many people hate Jimmy Stewart, he’s brilliant, and he’s really on top form in this movie. Was great to see the crazy, trippy, bad acid dream sequence on the big screen.

Went to JJ Smyths afterwards for a few pints, then a lamb shawarma in Iskanders (best fucking kebabs in Dublin), then a bit of a stroll to try and beat the bloat.

Back to the IFI at 7.00 for Sean Meadow’s new film, Somers Town. Wasn’t sure what to expect, had heard some dodgy rumours about blatant product placement in this one (it was entirely funded by Eurostar). Really enjoyed the film, had some genuinely hilarious moments, and never tripped over the bittersweet edge into cheesy saccharine territory. There was some product placement but to be honest, I don’t think I would have noticed if not for the rumours. The mid-afternoon pints and kebabs did mean I almost fell asleep at one stage but that was down to me being a greedy bastard, the film was thoroughly excellent.

A quick jaunt over to Reeds then for a few more pints. Not a bad Saturday all told.

It’s been a good couple of months at the IFI: got to see Dead Man’s Shoes with a Q&A by Paddy Considine, a 70MM print of the three and a half hour version of Lawrence Of Arabia, then Vertigo, Somers Town and in a few weeks we get the finest comedy available to humanity. . . Withnail and I.

The fucker will rue the day!

So, it seems there are plans to remake The Prisoner.

1. Why would anyone want to remake the most perfect show in the history of television?

2. Why would anyone want to remake the most perfect show in the history of television and cast Jim “I am Jesus really” Caviezel in the lead roll?

3. Why would anyone want to cast Jim “I am Jesus really” Caviezel in the lead roll of anything, ever?

Behold The Prisoner as it was meant to be, bask in the coolness of Patrick McGoohan.

Was up in Dublin for the weekend, went to see Dead Man’s Shoes at the IFI. I’ve seen this six or seven times but it was good to see it on the big screen.

They also showed Paddy Considine’s new short film, Dog Altogether, which was excellent. Considine did a Q&A afterwards, seems like a good egg.

Even the three borderline-retarded mooks sitting across the way from us who laughed a little too loudly at the violent bits and then sprayed deodorant on themselves halfway through the short couldn’t spoil what was a thoroughly pleasant afternoon. There was a technical hitch with the sound system that meant the short film had to be started again after about thirty seconds, the largest and most stupid looking one opined loudly that “Paddy Consintine won’t be happy with that!”

As we left they were discussing the sound Considine’s hand gun had made, apparently, because of the distinctive “whoop” it could only have been a “.22” They also agreed that one of the executions had been “text book.” Stupid fucking twats.

Here, have a clip . . .